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Milan, 1973. A bourgeois interior, light filtering through an opaline window, a vinyl record spinning.

This is the scene that inspired our black lacquered wood vinyl console: a tribute to the cultured, visionary Milan of the Seventies, where architecture and ornament coexisted with effortless grace. The references are unmistakable—Gio Ponti’s mastery of domestic proportion, Piero Portaluppi’s geometric imagination. Yet the gaze is entirely contemporary.

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The octagonal base rises like a column, austere and sculptural, before unfolding into an unexpected form: a vessel designed to hold vinyl records and speakers with both functional precision and formal poetry. 

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The glossy black lacquer reflects its surroundings with an almost liquid quality. Light plays across its surface, creating subtle trompe-l’œil effects that dematerialize the mass, blurring the line between object and space. This is not just a container—it’s a presence.

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An exercise in memory and reinvention, designed for those who listen with their eyes.